![]() Tangerine on the big screen, however, looks more amazing than most films that are shot with gigantic Red cameras. An iPhone renders amazing pictures but they look good on Facebook, and pixelate when expanded to larger screens. It’s impossible to ignore the technology fuelling the film. The quieter moments in the film therefore carry an unexpected emotional weight. ![]() On paper it’s all offensive as hell, but Baker’s direction and the performances somehow makes this weirdly heartfelt and also enjoyable. In any other film the red light ghettos filled with meth addicts would be a serious and depressing drama, but Tangerine showcases the darkly funny side of things in such a neighborhood.Įven the Fish (Mickey O'Hagan) turns out to be a hilariously pathetic drug addict whom Sin-Dee drags by her hair all over the streets. Sin-Dee shoots her mouth off like her life depends on it, and the barrage of expletives that come naturally to her is mined for comedy. The whole revenge angle is hilarious, and it’s cleverly used as a base for director Baker to explore the snazzy parlance of the film’s characters and the quirky retro and often downtrodden world they inhabit. Ghost movie review: Shiva Rajkumar rules the screen with his swag in MG Srinivas' heist action-thriller Leo movie review: Yes, a DNA test would make this film obsolete, but it's about bloody violence So she teams up with her friend Alexandra (Mya Taylor) and prowls around a red light district to find Chester and his fish and beat the crap out of them. She’s heard that her pimp Chester (James Ransone) has begun liaising with a Fish – that is, a straight female who was naturally born as a woman. Aesthetics and gimmicks hardly make for a great film, and Tangerine has a really fun story to back up its shot-on-an-iPhone hook.Ī transgender sex worker named Sin-Dee (Kitana Kiki Rodriguez) walks out of jail and is seething with rage. ![]() It’s so entertaining, in fact, that it could kick start a whole genre of films about trans-prostitutes in Los Angeles. ![]() The most surprising aspect of Tangerine is how funny it is, and there’s hardly a dull moment in the film. No prior film, however, has had the kind of acclaim that Tangerine has garnered. Apple’s little device has been used previously for motion pictures, even by bigwigs like Park Chan Wook ( Night Fishing). The marketing hook and buzzword for Sean Baker’s Tangerine has been the fact that it was shot entirely on iPhones. ![]()
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